[zz注]：相当值得期待，E-P3可能会有之前提到的模块化机身的设计！
Olympus EP-3 by the end of the yearBy PR admin | Published: October 3, 2010
Olympus EP-3 is expected to be a major upgrade, here are some of the rumored specs:
* 16MP sensor, supports 1080 video and up to ISO 6400, 12800 extension.
* Articulated LCD, 3″ and 920K.
* No built-in flash or EVF, but there are connectors for optional ones.
* The design “lines” are closer to EPL1 than EP2. The form factor, being slim with an articulated screen, is unique. The closest thing would be a scaled-up Samsung EX1/TL500.
* Considerable improvements in AF. A headline feature is a new dual AF (CDAF+ PDAF). The PDAF aids CDAF to decide the right focus distance reducing the typical CDAF trial-and-error, particularly helpful for AF of heavy classic 4/3 lenses, (it works MUCH BETTER than any m4/3 body with legacy 4/3 lenses, excellent w m4/3 lenses).
* A special accessory unit comprising a hand grip + 4/3 lens adapter. The unit covers the whole front panel and almost transforms the EP3 to a classic 4/3 camera when attached.
* Expected in November/December for the holiday shopping season, price TBA.
I even got some information that a new Olympus EP camera is currently being tested in the UK.
Olympus EP-3 by the end of the yearBy PR admin | Published: October 3, 2010
Olympus EP-3 is expected to be a major upgrade, here are some of the rumored specs:
* 16MP sensor, supports 1080 video and up to ISO 6400, 12800 extension.
* Articulated LCD, 3″ and 920K.
* No built-in flash or EVF, but there are connectors for optional ones.
* The design “lines” are closer to EPL1 than EP2. The form factor, being slim with an articulated screen, is unique. The closest thing would be a scaled-up Samsung EX1/TL500.
* Considerable improvements in AF. A headline feature is a new dual AF (CDAF+ PDAF). The PDAF aids CDAF to decide the right focus distance reducing the typical CDAF trial-and-error, particularly helpful for AF of heavy classic 4/3 lenses, (it works MUCH BETTER than any m4/3 body with legacy 4/3 lenses, excellent w m4/3 lenses).
* A special accessory unit comprising a hand grip + 4/3 lens adapter. The unit covers the whole front panel and almost transforms the EP3 to a classic 4/3 camera when attached.
* Expected in November/December for the holiday shopping season, price TBA.
I even got some information that a new Olympus EP camera is currently being tested in the UK.
大家知道，乐鼠无牙主站的重点是音乐栏目，而对于一个音乐爱好者，确切的说，是摇滚/独立/另类/后摇/民谣音乐的爱好者们，你们平时用什么耳机或者音箱在听歌呢？
有人会说Koss PP经典重低音，有人会说铁三角更帅，有人说入耳动铁更专业，然后就会有人搬出Sony D50+RSA耳放+高阻耳机+D/A等等神器，无边无际下去。
追求音质没有错，但是我反对烧冤枉钱。让我们理性来看这些器材，其实，我们听音乐的几个场景无非以下情况：
1、在户外路上
在交通工具附近根本没有hi-fi可言，到处是噪音，汽车引擎的、行人的，环境噪音完全盖过你可怜的耳塞音量。这种环境下，应以保护听力为主要目的，选择主动降噪的耳机吧，否则你只能一味地加大音量才能听清，受伤的是自己的耳朵。推荐：性价比很高的入耳式主动降噪耳塞（比如Sony NC22/NC33），有米的上降噪大耳机，密闭性更好（比如Bose QC3）
2、在家中
有空间允许的话（有时候还要周围的人允许），音箱是最好的配置，因为有更好的定位和人的自由舒适，2.0书架式或者2.1即可，可选的太多了，从低端到高端，自己喜欢就好。
3、安静处
另外一种情况，也是大家最喜欢的一种状态，抱着mp3躺在床上、自习室中听歌，那么，降噪不是最重要的，良好的听感和现场感才是主要诉求。这种情况下，玩法太多了，一不小心就被带入烧钱的行列。
动铁耳机：还分非定制和定制的，性价比高的我只推荐UE TF10，三段非常均衡，解析度高，隔音好，只是体积相对于亚洲人稍大了些。之前美国搞99还是95美金的促销，你抢到了么？呵呵。定制型的更适合你的耳朵和耳道形状，但主要用于Live演出，太昂贵，适合有米的人，我不推荐烧这玩意。
耳放：对于高阻耳机，有些MP3推力不够；另外，有些喜欢玩LO（Line-out）的、想改善音质的人也会选择耳放。但是随便一个素质不错的便携式耳放动则2000元以上，还得绑在随身听背后，实在是够折腾也够笨重，不少人后来还是退烧回到直推。本人不推荐这种折腾的玩意。
动圈：其实性价比最高的还是动圈（尤其是低阻），
-宾得K-5用的是Sony Exmor HD 16.2 MP APSC CMOS sensor，和D7000一样
-K-5在高感上，暗部噪点表现比K-x更好
-有人说K-5在ISO6400的出图是通过ISO1600提升2EV得出的（zz注：虽然原理说对一半，但是看得出作者不懂电子）
-动态范围：据称按照DXO的标准，能超过K-x创下的12.5EV的高分，达到13EV（zz注：对应的光感度0.0017%，也就是说需要12.5bit以上的编码器，童鞋们可以自己换算。具体真假，要等DXO权威数据）
-Liveview反差对焦快速实用
我只摘出我感兴趣的部分，其他内容请看原文：http://www.falklumo.com/en...
K-5画质优秀能说明啥？一方面是宾得的算法不错，另一方面，更多的是证明Sony的感光元件制造技术领先。就像GH2把M4/3的画质提上去了，另一方面也证明了APS、FF可以做的更好更更好。。。。杯具
I also was at the Photokina yesterday, with Falk and other Pentaxians.
It was nice!
K5
- The sensor of the K5 is good! It is probably about 2 EV better than the K20/K7.
AF is not faster with SDM lenses. I have tested this.
- It was shooting 7 RAWs in a row.
18-135
- very nice built
- nobody at Pentax knew what DC means
- AF is ok.
DA35
- no colored ones outside of Japan
other:
- no tele above 500mm. It's not possible for Pentax. Unprofitable.
- no info on other lenses
- FA Limited are discontinued
- no FF in sight, definitely not in 2011, probably also not in 2012.
- perhaps there will be a 3rd party grip for the Kr.
- the high prices are defined in Japan. Pentax outside of Japan cannot change them.
- the market in the USA/Canada is a nothing to Pentax, only France and Germany count besides Japan.
---------------------------------赞不绝口的分割线---------------------------------------
【空中飘带翻译】
昨儿我跟一帮宾友跑photokina玩去了，灰常爽~
K5：
K-5的CMOS酷毙了！估计比K20D/K-7好2个EV！
用SDM超声波马达不比过去快，俺试了的。。。
一口气拍7张RAW不掉链~
18-135:
做工很不错~
宾得展台没人知道DC是毛玩意。。。
自动对焦给力~
DA35:
日本以外没花色的。。
其他：
木有比500mm长的超长焦头，宾得不可能做，不合适。。
木有其他镜头的信息。。
公主要停产了。。
木有全副的计划，2011年肯定没有，2012年八成也没有。。。
K-R可能会有副厂手柄。。。
这天价是小日本定的，跟俺们木有关系！
北美市场对宾得毛都不算，也就法国德国还成。。。
(原帖地址)
【附赠】宾得K-5各级ISO实拍样片
It was nice!
K5
- The sensor of the K5 is good! It is probably about 2 EV better than the K20/K7.
AF is not faster with SDM lenses. I have tested this.
- It was shooting 7 RAWs in a row.
18-135
- very nice built
- nobody at Pentax knew what DC means
- AF is ok.
DA35
- no colored ones outside of Japan
other:
- no tele above 500mm. It's not possible for Pentax. Unprofitable.
- no info on other lenses
- FA Limited are discontinued
- no FF in sight, definitely not in 2011, probably also not in 2012.
- perhaps there will be a 3rd party grip for the Kr.
- the high prices are defined in Japan. Pentax outside of Japan cannot change them.
- the market in the USA/Canada is a nothing to Pentax, only France and Germany count besides Japan.
---------------------------------赞不绝口的分割线---------------------------------------
【空中飘带翻译】
昨儿我跟一帮宾友跑photokina玩去了，灰常爽~
K5：
K-5的CMOS酷毙了！估计比K20D/K-7好2个EV！
用SDM超声波马达不比过去快，俺试了的。。。
一口气拍7张RAW不掉链~
18-135:
做工很不错~
宾得展台没人知道DC是毛玩意。。。
自动对焦给力~
DA35:
日本以外没花色的。。
其他：
木有比500mm长的超长焦头，宾得不可能做，不合适。。
木有其他镜头的信息。。
公主要停产了。。
木有全副的计划，2011年肯定没有，2012年八成也没有。。。
K-R可能会有副厂手柄。。。
这天价是小日本定的，跟俺们木有关系！
北美市场对宾得毛都不算，也就法国德国还成。。。
(原帖地址)
【附赠】宾得K-5各级ISO实拍样片
F0.95样片：
F2样片：
F2.8样片：
最吸引人的：M25mm 1.4还有Bright Zoom！要真出个M12-60 F2.8-3.5，那我可捂不住钱包了。
下面是Sony E口镜头的未来规划，看来要统一走“水桶”路线了，一个G头，一个蔡司：
另外，imagingresourse放出了P7000的实拍样片，经过和G11的对比，画质评价如下：
-低感色彩饱和，偏暖色，讨好眼睛
-紫边比G11轻
-暗部果然有我说的颜色信息丢失的问题
-高感表现明显不如G11，无论是细节还是噪点
一般对于暗部色彩丢失的这种相机，我是绝对不碰的，不仅片子发黑，后期也是难事。看来虽然在配置上P7000很不错，但是实际成像还是有待改进，G11/G12仍然稳坐1/1.7尺寸的头把交椅，P7000是感光元件不行还是机身处理器差？
